Mulholland Drive has some of the best scenes of his career: That first scene at Winkies, which turns into every bit the heart-stopping shocker that the man describes; Bettys audition, which reveals a side to her (and to Naomi Watts) thats as startling to us as it is to the odd has-beens who have assembled to witness it; Adams half-scary/half-comical meeting with The Cowboy; and the middle-of-the-night trip to Club Silencio, where music plays without a band and a dark magic seems to take permanent hold. A casting agent takes her to a soundstage where a film called The Sylvia North Story, directed by Adam, is being cast. In Lynch's films, the spectator is always "one step behind narration" and thus "narration prevails over diegesis". [25] On the other hand, Justin Theroux said of Lynch's feelings on the multiple meanings people perceive in the film, "I think he's genuinely happy for it to mean anything you want. Betty and Ritas adventures eventually intersect with Adam and his movie, but Lynch turns the tables dramatically, leaving the audience scrambling to figure out whos who and what we can trust to be real. Sometimes it's really magical. TVA Films released the film theatrically in Canada on October 26, 2001. Pierre Edleman, Lynch's friend from Paris, came to visit and started talking to him about the film being a feature. Contained within the original DVD release is a card titled "David Lynch's 10 Clues to Unlocking This Thriller". The last one-fifth of the film presents Diane's real life, in which she has failed both personally and professionally. [35] Referring to the same sequence, film theorist Andrew Hageman notes that "the ninety-second coda that follows Betty/Diane's suicide is a cinematic space that persists after the curtain has dropped on her living consciousness, and this persistent space is the very theatre where the illusion of illusion is continually unmasked". he greatest films are often the ones that we dont completely know, that tease the mind with question marks and ambiguities, and leave you circling back to scenes or moments that linger vividly in the mind, often triggering an emotional response that cant be immediately identified. Lynch explained his selection of Watts, "I saw someone that I felt had a tremendous talent, and I saw someone who had a beautiful soul, an intelligencepossibilities for a lot of different roles, so it was a beautiful full package. But I did have to reconcile all of that, and people seem to think it works. [54] Diane's prolonged eye-contact with Dan at Winkie's is another example of the trans gaze. Another theory offered is that the narrative is a Mbius strip, a twisted band that has no beginning and no end. "[22], An early interpretation of the film uses dream analysis to argue that the first part is a dream of the real Diane Selwyn, who has cast her dream-self as the innocent and hopeful "Betty Elms", reconstructing her history and persona into something like an old Hollywood film. [36] Author Valtteri Kokko has identified three groups of "uncanny metaphors"; the doppelgnger of multiple characters played by the same actors, dreams and an everyday objectprimarily the blue boxthat initiates Rita's disappearance and Diane's real life. As his stories unravel, they don't necessarily open up. Edleman went back to Paris. After viewing Lynch's cut, however, television executives rejected it. [28], The Guardian asked six well-known film critics for their own perceptions of the overall meaning in Mulholland Drive. [76] During Adam and Camilla's party, Diane watches Camilla (played by Harring) with Adam on one arm, lean over and deeply kiss the same woman who appeared as Camilla (Melissa George) before the blue box was opened. The western rural portion in Los Angeles and Ventura Counties is named Mulholland Highway. Coco, in the first part of the film, represents the old guard in Hollywood, who welcomes and protects Betty. [141] Criterion confirmed on August 16, 2021, that Mulholland Drive will be released on November 16, 2021, as a 4K and Blu-ray disc package. Theres a reason why Alfred Hitchcocks Vertigo, which opened to a mixed reception in 1958, spent the last 50 years inching up Sight & Sounds greatest-of-all-time poll before finally upending the mighty Citizen Kane in 2012. [65] Although she is portrayed as weak and the ultimate loser, for Jeff Johnson, author of a book about morality in Lynch films, Diane is the only character in the second portion of the film whose moral code remains intact. [95] On review aggregator website Rotten Tomatoes, the film has an approval rating of 85% based on 188 reviews, with an average rating of 7.7/10. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an amnesiac woman (Harring) recovering from a car accident. [31][79] The later part of the film that represents reality to many viewers, however, exhibits a marked change in cinematic effect that gives it a quality just as surreal as the first part. [37] Roche also notes that there are multiple mysteries in the film that ultimately go unanswered by the characters who meet dead ends, like Betty and Rita, or give in to pressures as Adam does. However these scenes are vital to the plot and extremely romantic, not a bad thing at all. Lynch uses two pop songs from the 1960s directly after one another, playing as two actresses are auditioning by lip synching them. He also portrays Betty as extraordinarily talented and shows that her abilities are noticed by powerful people in the entertainment industry. Even Lynch apparently let the story lead the way. [126][127] Having received 40 critics' votes, it is one of only two films from the 21st century to be included in the list, along with 2000's In the Mood for Love. There may not even be a mystery." [52] Simultaneously, he presents the tragic lesbian triangle, "in which an attractive but unavailable woman dumps a less attractive woman who is figured as exclusively lesbian", perpetuating the stereotype of the bisexual "ending up with a man". After Diane shoots herself, the bed is consumed with smoke, and Betty and Rita are shown beaming at each other, after which a woman in the Club Silencio balcony whispers "Silencio" as the screen fades to black. By using these characters in scenarios that have components and references to dreams, fantasies and nightmares, viewers are left to decide, between the extremes, what is reality. Betty and Rita go to Diane Selwyn's apartment, where a neighbor answers the door and tells them she has switched apartments with Diane. Aug. 2021. Mulholland Dr. retained this basic core of "Hollywood as Dream Factory" and the film ostensibly follows Betty Elms (Naomi Watts), an aspiring actress seeking to make it big in Tinseltown, and her entanglement with Rita (Laura Harring) who at film's beginning suffers a car crash on the titular Mulholland Drive that spurs a case of amnesia. [37], Despite the proliferation of theories, critics note that no explanation satisfies all of the loose ends and questions that arise from the film. "[105] Film theorist Ray Carney notes, "You wouldn't need all the emotional back-flips and narrative trap doors if you had anything to say. [124] In 2011, online magazine Slate named Mulholland Drive in its piece on "New Classics" as the most enduring film since 2000. Lynch then provided an ending to the project, making it a feature film. Rita's very grateful for the help Betty's given [her] so I'm saying goodbye and goodnight to her, thank you, from the bottom of my heart, I kiss her and then there's just an energy that takes us [over]. [125], In the British Film Institute's 2012 Sight & Sound poll, Mulholland Drive was ranked the 28th greatest film ever made, and in the 2022 poll, its ranking rose to 8th. Its surely no coincidence that Vertigo, along with Sunset Boulevard, is the film Lynch most directly references as the identities of two very different women merge and then fracture into so many pieces that it takes multiple viewings just to start putting them back together. Clues to her inevitable demise, however, continue to appear throughout her dream. Ve o filmu Mulholland Drive (2001): Recenze, Hodnocen, Zajmavosti, Videa, Galerie, Data uveden, Diskuze, . 2) Notice appearances of the red lampshade. This is supported by visual clues, like particular camera angles making their faces appear to be merging into one. Another woman who looks like the previous "Camilla Rhodes" kisses Camilla, and they turn and smile at Diane. Run time : 2 hours and 27 minutes. [87] Film music journalist Daniel Schweiger remarks that Badalamenti's contribution to the score alternates from the "nearly motionless string dread to noir jazz and audio feedback", with "the rhythms building to an explosion of infinite darkness. [36] In an explanation of her development of the Betty character, Watts stated: I had to therefore come up with my own decisions about what this meant and what this character was going through, what was dream and what was reality. Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir [6] [7] mystery film written and directed by David Lynch and starring Naomi Watts, Laura Harring, Justin Theroux, Ann Miller, Mark Pellegrino, and Robert Forster. "[72], Minor characters include The Cowboy (Monty Montgomery), the Castigliani Brothers (Dan Hedaya and Angelo Badalamenti) and Mr. Roque (Michael J. Anderson), all of whom are somehow involved in pressuring Adam to cast Camilla Rhodes in his film. Blu-ray reviews, news, specs, ratings, screenshots. William Mulholland was an Irish immigrant who worked to develop the future megalopolis of Los Angeles. He stated in an interview, "you look at the image and the scene silent, it's doing the job it's supposed to do, but the work isn't done. Dancing With My Demons (feat. By John Serba Jun 12, 2021. [12], Lynch cast Naomi Watts and Laura Harring by their photographs. "[31], David Lynch uses various methods of deception in Mulholland Drive. Stream It Or Skip It: 'Come True' on Hulu, a Strangely Enthralling, Hallucinogenic Indie Sci-fi Thriller. On a film set where Adam is directing Camilla, he orders the set cleared, except for Dianeat Camilla's requestwhere Adam shows another actor just how to kiss Camilla correctly. [13], Theroux described approaching filming without entirely understanding the plot: "You get the whole script, but he might as well withhold the scenes you're not in, because the whole turns out to be more mystifying than the parts. "[89] Badalamenti described a particular technique of sound design applied to the film, by which he would provide Lynch with multiple ten- to twelve-minute tracks at slow tempo, that they called "firewood",[89] from which Lynch "would take fragments and experiment with them resulting in a lot of film's eerie soundscapes."[87]. [35] One analysis of Diane suggests her devotion to Camilla is based on a manifestation of narcissism, as Camilla embodies everything Diane wants and wants to be. "[27] Michael Wilmington of the Chicago Tribune found that "everything in 'Mulholland Drive' is a nightmare. [65] In a scene immediately after Betty's audition, the film cuts to a woman singing without apparent accompaniment, but as the camera pulls backwards, the audience sees that it is a recording studio. The film was publicized with cryptic posters bearing the abbreviation "Mulholland Dr.", Universal Pictures released Mulholland Drive theatrically in 66 theaters in the United States on October 12, 2001, grossing $587,591 over its opening weekend. Mulholland Dr, Los Angeles, CA 90046 / 90077. In spite of Lynch's concerns, the DVD release included a cover insert that provided "David Lynch's 10 Clues to Unlocking This Thriller", which were: "1) Pay particular attention to the beginning of the film: At least two clues are revealed before the credits. The irresistible hook of the pilot, and the finished film is the mystery surrounding a glamorous brunette (Laura Elena Harring) who gets in a car accident in the Hollywood Hills and stumbles away with a purse filled with cash and a blue key, but no idea who she is. [135] New special features exclusive to this release include: an introduction by Thierry Jousse; In the Blue Box, a retrospective documentary featuring directors and critics; two making-of documentaries: On the Road to Mulholland Drive and Back to Mulholland Drive, and several interviews with people involved in making the film. Diane Selwyn wakes up in her bed in the same apartment Betty and Rita investigated, where her neighbor informs her that two police officers have been looking for her. And it wont matter if the girl is more talented or not. In the dream, Betty is successful, charming, and lives the fantasy life of a soon-to-be-famous actress. [11], Actress Sherilyn Fenn stated in a 2014 interview that the original idea came during the filming of Twin Peaks, as a spin-off film for her character of Audrey Horne. [99], In Rolling Stone, Peter Travers observed, "Mulholland Drive makes movies feel alive again. The non-linear film is "incapable of sustaining narrative coherence", as Lee Wallace argues that, "lesbianism dissolves the ideological conventions of narrative realism, operating as the switch point for the contesting storyworlds within Lynch's elaborately plotted film". [26], This interpretation was similar to what Naomi Watts construed, when she said in an interview, "I thought Diane was the real character and that Betty was the person she wanted to be and had dreamed up. Spears . [44], After Betty and Rita find the decomposing body, they flee the apartment and their images are split apart and reintegrated. Giving you a tour of where some of the biggest celebrities live on Muholland Drive in Los Angeles, such as Jack Nicholson, Eddie Murphy, Mark Wahlberg, Sylve. [13], "I'm not going to lie: I felt very vulnerable," Laura Harring said of filming the sex scene between Harring and Watts' characters. [60], Betty, however difficult to believe as her character is established, shows an astonishing depth of dimension in her audition. [120] In 2010 it was named the second best arthouse film ever by The Guardian. Instead of sweeping an amnesiac damsel in distress off her feet, she fell in love with a movie starCamilla Rhodes, also played by Harringand got dumped. Stunning new 4K restoration of David Lynch's iconic surrealist mystery-drama. Vex Ruffin) 1:36 6 Spit on Your Grave 1:39 7 Brain Dead 2:25 8 Dancing with My Demons (feat. Lynch asked her to return the next day "more glammed up". This is further illustrated soon after by their sexual intimacy, followed by Rita's personality becoming more dominant as she insists they go to Club Silencio at 2 a.m., that eventually leads to the total domination by Camilla. 12733 Mulholland Dr, Beverly Hills, CA 90210 | MLS# 22-212705 | Trulia For Sale CA Beverly Hills 90210 12733 Mulholland Dr UNDER CONTRACT 0.87 ACRES 12733 Mulholland Dr Beverly Hills, CA 90210 Sherman Oaks 4 Beds 5 Baths 3,456 sqft (on 0.87 acres) $5,995,000 Est. Clues, like particular camera angles making their faces appear to be merging one. Another woman who looks like the previous `` Camilla Rhodes '' kisses Camilla, and people seem to think works. Stories unravel, they don & # x27 ; s iconic surrealist mystery-drama reviews, news,,., David Lynch 's 10 clues to her inevitable demise, however, continue to appear throughout her dream step... Films, the spectator is always `` one step behind narration '' and thus `` narration prevails over ''! 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